The period around the seventeenth and eighteenth century was known as the Restoration period. The Peoria theatres around this time were smaller than those of the Renaissance period and held up to 500 spectators at a time. This period gave an end to daylight lit auditoriums replacing them with closed rooms lit completely with man-made light. Stages were bounded with decorated frames but with no curtains like the modern times. Although the audiences werent in close vicinity of the stage, a small stage protruded into the auditorium so as to increase the interaction between the audience and the actors. Lack of curtain hindered the privacy of changing of scenes which affected the realistic illusion. Performances by the restoration period were character driven with more emphasis on the perfectionism, social issues, and scenery.

The stage in the later centuries evolved into what is known as the proscenium stage or picture frame stage. Its designed and named after the technique of how one visualizes a picture. There is a defined separation between the spectators and the actors with the introduction of ramp. Curtains added to this and the same time gave privacy to change scenes thus creating a realistic and elaborated picturization. The auditorium is darkened during the performance there by increasing the concentration of the audience. Modern technologies and aids have made illustration more interesting and realistic and made the art even more interesting and popular in Peoria IL .

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